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It’s Alive! Or Is It?

As a new Hollywood version of Mary Shelley’s Frankenstein comes to the big screen – with a feminist twist – Jake Arnott considers what the 1818 novel can teach us about our AI future

Jessie Buckley plays Ida, a dead 1930s Chicago flapper brought back to life, in ‘The Bride!’
Photo: Pictorial Press

‘As of April 2026,” reads the Wikipedia entry  for a list of films featuring Frankenstein’s monster, “a body of 480 known feature films, 243 short films, 103 TV series, and 413 TV episodes feature some version or interpretation of the character Frankenstein’s monster, first created by Mary Shelley in her 1818 novel Frankenstein; or, The Modern Prometheus”.

That’s some body of work.

The latest addition to this deathless corpus is Maggie Gyllenhaal’s The Bride! starring recent Oscar winner Jessie Buckley as a fiercely feminist version of the monster’s putative consort. Though this bold and wonderfully garish discourse on body autonomy was a spectacular box-office failure, the hunger to add to this list of creative reanimations shows no sign of abating. 

Peter Oborne portrait, by Alex Chamberlain

Peter Oborne's Diary – Emperor Trump

Suetonius, who served as personal secretary to Emperor Hadrian, enjoyed privileged access to the imperial archive when he researched The Lives of the Caesars.
Peter Oborne
on the ground column image - a (male) journalist with press pass and notepad

On the Ground – British Renewal

Here’s something the UK doesn’t boast about enough: it is home to seven of the 10 largest offshore wind farms in the world.
Josiah Mortimer